Monday, July 14, 2014

#23 - Dalek Empire - A Retro Review

In the first of a series of new Tomfiles, I look back at one of Big Finish’s earliest success stories and whether it stands up to the high quality that Big Finish have become known for since it started making Doctor Who stories fifteen years ago. This first part looks back at the first series. Dalek Empire was the first thing that I listened to that was made in the Big Finish world. I remember buying it at a Memorabilia Fair in 2003 not knowing much about Dalek Empire or Big Finish. I also bought this along with a few Eighth Doctor main range releases. Dalek Empire is one of the first big successes that Big Finish had. There was the Bernice Summerfield series that Big Finish launched first but this was the first series that they had created.

The Dalek Empire series started back in June 2001 and having listened to it recently, the first thing that struck me was just how well it stood up to todays standard of Big Finish storytelling. The only thing that is missing from these releases is the noise that is made when the Daleks move. It’s important (but not vital) to have heard two main range releases in the form of ‘The Genocide Machine’ and ‘The Apocalypse Element’ (both from 2000).
The first instalment of this opening series was called ‘Invasion of the Daleks’ and the plot was exactly that. The Daleks invade Vega 6. The thing that is littered during this series is the narration done by Joyce Gibbs.

There are three main characters introduced in this series and they are Kalendorf (played by Gareth Thomas), Alby Brook (played by Mark McDonnell) and Susan Mendes (played by Sarah Mowat). It’s Susan that becomes quite integral to the whole thing because she soon becomes defiant in the face of the Daleks and the Daleks use her to try and improve moral and productivity levels of the slaves. She becomes known as the Angel of Mercy. I think that the relationship between Kalendorf and Susan Mendes is one that works from the very moment that they have a scene together. Thomas does a great job of making Kalendorf sound ordinary at first and then to be a Knight and can communicate telepathically.
This opening story attempts to tell everyone that listens what to expect and its pretty clear by the end of the first part that its going to be a story on an epic scale. We know who the important characters are and it’s a solidly written opening story and one that wouldn’t be out of place in todays Big Finish output.

The thing that I noticed about the second part ‘The Human Factor’ is that it feels like the foot has been taken off the accelerator a little bit. That’s not to say that it’s a poor story or even a substandard adventure but there is a definite change compared to the opening story. Susan Mendes’ involvement becomes more important and clearer and this causes a nice bit of tension between the two. This part is the first one that has what I would class as a proper cliffhanger. Alby is shot at by unknown forces and it seems like his involvement is not going to go on for much longer. This part is also another one that has relations to the main range and that is the Garazone System which featured in ‘Sword of Orion’ but there is a time difference between the two stories. Whereas it might be necersary to have listened to The Mutant Phase and The Apocalypse Element, I don’t think that is the case for ‘Sword of Orion’.
By the time you finish the third part ‘Death to the Daleks’, there is no denying the epic scale of this story. The characters feel like they are old friends with Alby Brooks coming across like the slightly rebellious and likeable brother who despite letting his heart rule his head, doesn’t seem to be as annoying as if he were in some Hollywood romantic comedy. At this stage of the adventure the story needs some fresh blood in it and that happens in the form of Mirana (played by Teresa Galagher). She is someone who seems to be a running sore for Brooks and seems like the perfect person to be alongside Brooks. The release builds to those famous words being uttered by the Angel of Mercy and before this happens there is a lovely scene between Mendes and Kalendorf which shows how close they have become even though they do take swipes at each other from time to time. Her death is the ultimate shock in the story and shows that even one of the central characters isn’t immune from the axe. The penultimate story in a series or serial has to do a job of making the final instalment to be an unmissable finale.

It’s interesting when the final part ‘Project Infinity’ starts because it would be interesting to see how the loss of one of the key characters would affect the story. One thing is made clear is the purpose of the narration that we had been hearing since the very beginning and its down to the Angel of Mercy having formed a link with her.
Alby has gone a little bit crazy at the death of Susan Mendes and seems to do some crazy things to try and prove that she’s alive. What’s quite clever is that Briggs slightly distracts us with the possibility that there is something else going on. The twist that Mirana is actually working for the Daleks is something that I didn’t see coming (or remember).

The ending of this final part is not what most people at the time would have been expecting. The Daleks are basically going to have a war with each other. In the ‘Big Finish Companion Volume 1’ its explained that Nicholas Briggs knew that there was going to be a Dalek Empire 2 and that’s clear from the ending that this is the case and it’s the best ending to a Dalek Empire release up until this point. What I like about the story at this point is that there is still plenty of room in this adventure and with the addition of new Daleks there is even more that can explored.
This series has been fantastic to listen to. Aside from the lack of sound effect on the Daleks, this series is just as strong as ‘Counter Measures’, ‘Jago and Litefoot’ or even ‘Graceless’. Despite it being made thirteen years ago it sounds just as good as it did back in 2001. I look forward to listening to the second series and the second of these new Tomfiles I am going to see whether the second series suffers from the Big Finish version of the difficult second album.

Monday, November 11, 2013

#22 - Re-evaluating a Story: 100

Whilst waiting for the Big Finish to release the November releases. I thought that I would do something different. I would go back and listen to all the releases that I haven’t been particularly kind to over the years. See whether time has changed my opinion of a particular release or whether its still the same as before. The first story that I am going to look back at is the 100th main range release called (oddly enough) 100. Released back in September 2007, this was Big Finish’s way of celebrating its milestone. It was the released during a year of transition as Gary Russell stepped to one side and Nicholas Briggs took charge of the range and we were treated the single episode stories but this was the first one where each of the four episodes were a stand-alone story.

When I first reviewed it back in October 2007, I said that the four stories were “disappointing” and rather foolishly said that you can’t tell a good story in 25 minutes and that you need at least 60 minutes to make a story work. Oh how truly stupid I have been. This is the review that saw me get an e-mail supposedly from Robert Shearman outlining his point of view. It was worth being this wrong just for that.
The first story was 100BC written by Jacqueline Rayner and in my 2007 review I commented how when Evelyn feigned an ailment is the first time that I disliked the character of Evelyn. I now think that it’s a shame that Evelyn and the Doctor are at odds because the dynamic of the group is so good and it’s not nice to see them fall out. After  a while Evelyn’s attitude does get a bit tiresome and I found myself rooting for the Doctor to get his point across and prove Evelyn wrong. It’s a good opening story. The second story features Mozart and I described this as a poorer story than 100BC and that’s wrong. I think that actually its marginally better because they are both good stories but it’s because this is bonkers but in a good way. I still think that Mozart’s attempted suicide is quite surprising considering that Big Finish rarely goes into this territory. The story has the sort of things that you would expect from a Shearman story and that’s the charm of it. I also can’t believe that I never made mention of the Soprano’s inspired ending to the episode where it cuts off mid-sentence. The third story was written by Joseph Lidster and my main gripe with it seemed to be that it spent too long building up the story and then rushed the end. My opinion of the episode is that it was different to the previous two episodes. In the 2007 review I seemed to have blacked out and missed the ending because the end of the episode came out of nowhere but its clear to even a blind spiel-snake that this episode has an ending and also a good one. Evil Evelyn was quite fun to listen to but I think that whilst it didn’t have same sort of feel as the previous two stories it felt more emotional and that’s not a bad thing as Lidster’s two releases from the year before (The Reaping and The Gathering) had a nice mix of emotion and science fiction. Another enjoyable release.  The final episode was my favourite part in my 2007 review and in 2013 it is still my favourite release. The tense created that the Doctor only has 100 days left is one of the things that I like, another thing is that the Doctor gets to go back and spy on himself.  By the end of the episode I thought that I was 100% correct in my opinion and it’s the only instance of the four stories that nothing changed.

Since we have had several releases like this such as The Company of Friends, Forty-Five and most recently Recorded Time and Other Stories, one thing has showed that it is possible to tell a story in 25 minutes and I was wrong and would like to apologise to Jacqueline Rayner, Robert Shearman, Joseph Lidster and Paul Cornell for being as harsh as I was to it. I think that compared to the other single four part stories that BF have produced its not the best but its still a lot of fun and an enjoyable release and was the template for future releases of this type.

Next Time: Flip Flop

Wednesday, June 26, 2013

#21 - Season 1 Review

This is the first of my season reviews.

I have really enjoyed this first season and think that the ‘marathon’ is going far better than it did when I last did it in 2010. I know that there are going to be episode which I am going to struggle to pluck up the energy to sit through the episodes but I have to remember that they are only 25 minutes long. There have been some days when I have wanted to watch more than just one but I have to be disciplined and stick to an episode a day. What I have struggled with sometimes are the reviews. Normally I aim for over 600 words and I have stuck to that but sometime I have struggled and especially with Marco Polo I was writing between 400-500 words. At the end of this first season I have written just over 28,500 words which is (if I’m allowed to be modest) is an astonishing word count.

The first series of Doctor Who was 42 episodes long and it was a varied and overall enjoyable experience. Out of the 42 episodes, only seven don’t exist on DVD or VHS and that was Marco Polo. The experience of listening to an episode a day was made easier by looking at the telesnaps from Doctor Who Magazine. Out of 8 stories in this opening series, half of them had been historical stories and I must admit that this is one of the things that has changed since I started this journey. Normally historicals aren’t something I have had a negative reaction and actually I have responded well but The Reign of Terror was the exception to the rule. Half of this story was good but the other half wasn’t and it shows the limitations of doing historicals in a science fiction show. The lack of episodes on DVD or VHS is going to be an bigger issue in future series but

It’s great how the Doctor has mellowed over the course of the season. For the first dozen episodes he was a really moody character and it must have seemed odd to some people at the time as to how they were suppose to like someone who is so unlikeable. This started after Inside the Spaceship and there were several moments from this period where they are all best friends and it feels much more like a team. Barbara and Ian go from reluctant travellers to just embracing the whole experience. There are moments especially in the early stages where it becomes quite important to the story but apart from The Reign of Terror its sort of a case of if we get back then we will leave. Susan was the most disappointing part of the crew because due to the writing she goes from a strange strong woman to a whiny teenager. Occasionally the writing would suit the former but mostly that would last two episodes before resorting to the latter.

I’m afraid that I’m going to become a statatiscian and talk about ratings and stuff like that. Episode 1 of An Unearthly Child got 4.4m though this is dubiously put to the death of President Kennedy the day before. By the end of the first Dalek serial, the rating had jumped to over 10 million. Two more episode would get over the 10 million mark (Marco Polo: Assassin at Peking & The Keys of Marinus: Snows of Terror). After ‘The Keys of Marinus’ figures would start to decline due to the summer months. The lowest rating apart from the first episode would be ‘The Sensorites: A Race Against Death’. The ratings would rebound to finish on 6.4 million.

My ratings for this story have also varied. The first episode got 8.67 out of 10 and only The Daleks: The Dead Planet would get a higher rating (8.70). The lowest rated episode was actually the final episode of the season which got 6.50. Amazingly out of 42 episodes, only 4 episodes got less that 7/10.

The first season has done well in establishing the series and for most people it is the Daleks that made Doctor Who and made this season but I like to think that it’s the steady hand of Verity Lambert and David Whittaker that helped cement these characters into the public’s consciousness.

Average Ratings for Each Story

An Unearthly Child – 7.83

The Daleks – 7.65

Inside the Spaceship – 8.42

Marco Polo – 7.32

The Keys of Marinus – 7.41

The Aztecs – 7.50

The Sensorites – 7.38

The Reign of Terror – 7.14

Wednesday, June 12, 2013

#20 - My Doctor Who Marathon

Back on May 16, I embarked on a journey to watch and listen to every Doctor Who episode from An Unearthly Child until whatever the current episode is when I reach the end. In all I think that it will take just over two years to do this. I was partly inspired by a chap called Will Brooks who on Doctor Who Online who is doing exactly the same thing. He's about six months ahead of me as he is just starting on the Troughton era.  I did do this before but it was back in 2010 and then I didnt stick to it and watched sometimes several episodes in a day. The whole marathon became a bit of a struggle and so I was a bit unsure whether I wanted to do this but I started as was seeing how long I could keep it going.

The beauty of this marathon is that I do a review of each episode and this means that I re-evaluate the stories and certain characters. At this moment in time I am of episode two of The Aztecs and one thing that I have noticed is that I can see why Carole Ann Ford has had mixed feelings about her role over the years and why she only lasted a year. Sometimes the character is really well written for and strong and then other times you just wish that she would just shut up and its an early indication of why three's company and fours a crowd because most of the time Ian and Barbara  are the grown ups and are given the mature things to do. Ian is the action hero and has to several times save the group and there are moments where Barbara is quite strong too and my opinion of the characters has been strengthed since the marathon started.

Another thing that I have been impressed with is how in the space of 20 odd episodes the crew have gone from being a reluctant team to best friends who would die for each other. The directing has been something I have appreciated more because I think that Waris Hussein has been very impressive and so has Christopher Barry. The writing has been noticeable because Terry Nation and John Lucarotti have written two stories each so far and Nation has done well with 'The Daleks' and 'The Keys of Marinus' and Lucarotti did an ok job with 'Marco Polo' and much better with 'The Aztecs'.

I will keep you updated on how my opinions of stories and people have changed over the future episodes but you can follow me @tomstardis on twitter to see my progress.

Friday, January 18, 2013

#19 - The 6th Toms Tardis Award Results - Part 3

In the final of trilogy tomfiles to do with the 6th Toms Tardis Awards. I reveal the full results of the Special Releases, Bernice Summerfield and Counter Measure categories.

Best Special Release
  1. Dark Eyes (30)
  2. UNIT: Dominion (21)
  3. Voyage to Venus (13)
  4. Love and War (9)
  5. Voyage to the New World (1)
Best Special Release Writer
  1. Nicholas Briggs - Dark Eyes (25)
  2. Nicholas Briggs & Jason Arnopp - UNIT: Dominion (17)
  3. Paul Cornell & Jacqueline Rayner - Love and War (14)
  4. Jonathan Morris - Voyage to Venus (11)
  5. Matthew Sweet - Voyage to the New World (1)
Best Special Release Director
  1. Nicholas Briggs - Dark Eyes (21)
  2. Nicholas Briggs - UNIT: Dominion (12)
  3. Ken Bentley - Voyage to Venus (11)
  4. Gary Russell - Love and War (7)
  5. Ken Bentley - Voyage to the New World (1)
Best Special Release Cover Art
  1. Alex Mallinson - Dark Eyes (15)
  2. Alex Mallinson - Voyage to Venus (11)
  3. Alex Mallinson - Voyage to the New World (5)
    Andy Lambert - Love and War
  4. Alex Mallinson - UNIT: Dominion (3)
Best Special Release Music & Sound Design
  1. Fool Circle Productions - Voyage to Venus (14)
  2. Andy Hardwick - Dark Eyes (5)
    Martin Johnson - UNIT: Dominion
  3. Steve Foxon - Love and War (3)
  4. Fool Circle - Voyage to the New World (0)
Best Counter Measure Story
  1. The Pelage Project (12)
  2. Artificial Intellegence (8)
    State of Emergency
  3. Threshold (5)
Best Counter Measure Writer
  1. Ian Potter - The Pelage Project (10)
  2. Justin Richards - State of Emergency (9)
  3. Matt Fitton - Artificial Intellegence (7)
  4. Paul Finch - Threshold (3)
Best Bernice Summerfield Story
  1. Bad Habits (12)
  2. Vesuvius Falling (3)
    Everybody Loves Irving
  3. Brand Management (1)
    Paradise Frost
    Shades of Grey
Best Bernice Summerfield Writer
  1. Simon Barnard & Paul Morris - Bad Habits (8)
  2. Tony Lee - Vesuvius Falling (6)
  3. Miles Richardson - Everybody Loves Irving (3)
  4. Christopher Cooper - Brand Management (2)
    David Llewellyn - Paradise Frost (2)
  5. Scott Handcock - Shades of Grey (1)
Best Bernice Summerfield Director
  1. Gary Russell - Bad Habits (6)
  2. Scott Handcock - Shades of Grey (4)
  3. Gary Russell - Everybody Loves Irving (3)
  4. Gary Russell - Brand Management (2)
    Scott Handcock - Paradise Frost
    Gary Russell - Vesuvius Falling
Well thats all the categories out now. Once again my I say thankyou to everybody who voted and with 2013 being the 50th Anniversary of Doctor Who and some big things coming up it looks like the 7th Toms Tardis Awards will be another close run thing.

Thursday, January 17, 2013

#18 - The 6th Toms Tardis Award Results - Part 2

Part 2 of the results which look at the Companion Chronicles, Jago and Litefoot, Fourth Doctor Adventures and Lost Stories.

Best Companion (Companion Chronicle)
  1. Caroline John (22)
  2. William Russell (20)
  3. Louise Jameson (8)
  4. Peter Purves (5)
  5. Frazer Hines (3)
  6. Wendy Padbury (2)
  7. Jean Marsh (1)
  8. Anneke Wills (0)
    Richard Franklin
    Maggie O'Neill
    Amy Pemberton
Best Companion Chronicle
  1. The Last Post (20)
  2. The Time Museum (11)
    Return of the Rocket Men
  3. The Selachian Gambit (3)
  4. The Wanderer (2)
    The Jigsaw War
    Project Nirvana
  5. The Anachronauts (1)
    Binary
    The Uncertainty Principle
    The Child
  6. The Rings of Ikiria (0)
Best Companion Chronicle Writer
  1. James Goss - The Last Post (25)
  2. James Goss - The Time Museum (9)
  3. Cavan Scott & Mark Wright (6)
  4. Matt Fitton - Return of the Rocket Men (5)
  5. Steve Lyons - The Selachian Gambit (3)
  6. Simon Guerrier - The Anachronauts (2)
  7. Eddie Robson - The Jigsaw War (1)
    Simon Guerrier - The Uncertainty Principle
    Nigel Fairs - The Child
  8. Eddie Robson - Binary (0)
    Richard Dinnick - The Wanderer
    Richard Dinnick - The Rings of Ikira
Best Companion Chronicle Director
  1. Lisa Bowerman - The Last Post (28)
  2. Lisa Bowerman - The Museum (5)
    Lisa Bowerman - Return of the Rocket Men (5)
  3. Ken Bentley - Project Nirvana (4)
    Ken Bentley - The Rings of Ikiria
  4. Lisa Bowerman - The Wanderer (3)
  5. Lisa Bowerman - The Selachian Gambit (2)
  6. Ken Bentley - The Anachronauts (1)
    Lisa Bowerman - The Jigsaw War
  7. Lisa Bowerman - Binary (0)
    Lisa Bowerman - The Uncertainty Principle
    Nigel Fairs - The Child
Best Companion Chronicle Cover Art
  1. Alex Mallinson - The Wanderer (11)
  2. Alex Mallinson - The Time Museum (10)
  3. Alex Mallinson - Return of the Rocket Men (9)
  4. Simon Holub - The Last Post (6)
  5. Simon Holub - The Child (3)
  6. Iain Robertson - The Anachronauts (1)
    Alex Mallinson - The Selachian Gambit
    Alex Mallinson - The Jigsaw War
  7. Iain Robertson - Binary
    Alex Mallinson - The Rings of Ikiria
    Anthony Lamb - The Uncertainty Principle
    Mark Plastow - Project Nirvana
Best Companion Chronicle Music & Sound Design
  1. Howard Carter - Return of the Rocket Men (13)
  2. Alistair Lock - The Selachigan Gambit (6)
  3. Richard Fox & Lauren Yason - The Last Post (5)
  4. Richard Fox & Lauren Yason - Project Nirvana (3)
  5. Andrew Edwards - The Wanderers (2)
    ??? - The Jigsaw War
  6. ??? - Binary (1)
    Richard Fox & Lauren Yason - The Rings of Ikiria
  7. Toby Hrycek-Robinson - The Anachronauts (0)
    Richard Fox & Lauren Yason - The Time Museum
    Richard Fox & Lauren Yason - The Uncertainty Principle
    Nigel Fairs - The Child
Best Lost Story
  1. The First Sontarans (27)
  2. Foe from the Future (13)
  3. The Masters of Luxor (7)
  4. The Guardians of Prophecy (4)
    The Rosemariners
  5. Power Play (3)
    The Valley of Death
Best Lost Story Writer
  1. Andrew Smith - The First Sontarans (28)
  2. Robert Banks-Stewart & John Dorney - Foe from the Future (15)
  3. Anthony Coburn & Nigel Robinson - The Masters of Luxor (7)
  4. Philip Hinchcliffe & Jonathan Morris - Valley of Death (5)
  5. Gary Hopkins - Power Play (3)
  6. Johnny Byrne & Jonathan Morris - The Guardians of Prophecy (2)
    Donald Tosh - The Rosemariners
Best Lost Story Director
  1. Ken Bentley - The First Sontarans (25)
  2. Ken Bentley - Foe from the Future (16)
  3. Lisa Bowerman - The Masters of Luxor (9)
  4. Lisa Bowerman - The Rosemariners (3)
  5. Ken Bentley - Power Play (2)
    Ken Bentley - Valley of Death
  6. Ken Bentley - The Guardians of Prophecy (0)
Best Lost Story Music & Sound Design
  1. Howard Carter - Foe from the Future (12)
  2. Jamie Robertson - The First Sontarans (11)
  3. Andy Hardwick - The Valley of Death (4)
  4. Steve Foxon - The Guardians of Prophecy (2)
    Toby Hrycek-Robinson - The Masters of Luxor
  5. Simon Robinson - Power Play (1)
  6. Jamie Robertson - The Rosemariners (0)
Best Lost Story Cover Art
  1. Alex Mallinson - The First Sontarans (14)
  2. Alex Mallinson - The Rosemariners (8)
  3. Alex Mallinson - Foe from the Future (6)
  4. Alex Mallinson - The Masters of Luxor (5)
  5. Alex Mallinson - The Guardians of Prophecy (4)
  6. Alex Mallinson - The Valley of Death (0)
    Alex Mallinson - Power Play (0)
Best Jago and Litefoot Story
  1. Beautiful Things (19)
  2. The Lonely Clock (12)
  3. The Hourglass Killers (6)
  4. Jago and Love (5)
Best Jago and Litefoot Writer
  1. John Dorney - Beautiful Things (19)
  2. Matthew Sweet - The Lonely Clock (11)
  3. Justin Richards - The Hourglass Killers (7)
  4. Nigel Fairs - Jago in Love (5)
Best Fourth Doctor Adventure
  1. The Wrath of Iceni (10)
  2. The Renaissance Man (7)
  3. The Oseidon Adventure (4)
  4. Destination: Nerva (2)
    Energy of the Daleks
  5. Trail of the White Worm (1)
Best Fourth Doctor Writer
  1. John Dorney - The Wrath of the Iceni (32)
  2. Justin Richards - The Renaissance Man (15)
  3. Nicholas Briggs - Energy of the Daleks (5)
    Alan Barnes - Trail of the White Worm
  4. Nicholas Briggs - Destination Nerva (4)
  5. Alan Barnes - The Oseidon Adventure (3)
Best Fourth Doctor Director
  1. Ken Bentley - The Wrath of the Iceni (26)
  2. Ken Bentley - The Renaissance Man (10)
  3. Nicholas Briggs - Energy of the Daleks (5)
    Ken Bentley - Trail of the White Worm
    Ken Bentley - The oseidon Adventure
  4. Nicholas Briggs - Destination Nerva (4)
In the final Tomfile, I will announce the full results of the special releases, counter measure and bernice summerfield stories.

Tuesday, January 15, 2013

#17 - The 6th Toms Tardis Award Results - Part 1

The 6th Toms Tardis Awards have come to a close. After 32 days of voting, there were just over 1,700 votes cast in 34 categories. In the first of three Tomfiles,

Best Doctor
  1. Peter Davison (20)
  2. Colin Baker (19)
  3. Paul McGann (17)
  4. Sylvester McCoy (14)
  5. Tom Baker (12)
Best Companion
  1. Sarah Sutton (25) Second time she has won this award (first back in 2007)
  2. Philip Olivier (19)
  3. Lisa Greenwood (13)
  4. Janet Fielding (11)
  5. Sophie Aldred (8)
  6. Mark Strickson (1)
Best Main Range Story
  1. The Emerald Tiger (33)
  2. Protect and Survive (11)
  3. The Curse of Davros/The Burning Prince (6)
  4. The Butcher of Brisbane/Gods and Monsters (5)
  5. The Fourth Wall (4)
  6. Wirrn Isle/Black and White (2)
  7. The Jupiter Conjunction/The Shadow Heart/1001 Nights (1)
  8. The Acheron Pulse (0)
Best Main Range Writer
  1. Barnaby Edwards (The Emerald Tiger) (29)
  2. Jonathan Morris (Protect and Survive) (12)
  3. John Dorney (The Fourth Wall) (9)
  4. John Dorney (The Burning Prince) (7)
  5. Jonathan Morris (The Curse of Davros) (6)
    Marc Platt (The Butcher of Brisbane)
  6. Matt Fitton (Black and White) (5)
  7. Alan Barnes & Mike Maddox (Gods and Monsters (3)
  8. Eddie Robson (The Jupiter Conjunction) (1)
  9. William Gallagher (Wirrn Isle) (0)
    Rick Briggs (The Acheron Pulse)
    Jonathan Morris (The Shadow Heart)
Best Main Range Director
  1. Barnaby Edwards (The Emerald Tiger) (29)
  2. Ken Bentley (Protect and Survive) (10)
  3. Ken Bentley (The Butcher of Brisbane) (7)
    Ken Bentley (Gods and Monsters)
    Ken Bentley (The Burning Prince)
  4. Nicholas Briggs (The Curse of Davros) (5)
  5. Barnaby Edwards (1001 Nights) (3)
  6. Nicholas Briggs (Wirrn Isle)
    Ken Bentley (Black and White) (2)
  7. Nicholas Briggs (The Fourth Wall) (1)
    Ken Bentley (The Jupiter Conjunction (1)
  8. Ken Bentley (The Acheron Pulse) (0)
    Ken Bentley (The Shadow Heart) (0)
Best Main Range Cover Art
  1. Alex Mallinson (1001 Nights) (20)
  2. Alex Mallinson (The Burning Prince) (17)
  3. Amazing 15 (The Emerald Tiger) (6)
  4. Simon Holub (Wirrn Isle) (4)
  5. Amazing 15 (The Butcher of Brisbane) (2)
    Alex Mallinson (The Acheron Pulse)
  6. Jamie Robertson (The Fourth Wall) (1)
    Barry Piggott (Black and White)
    Alex Mallinson (The Shadow Heart)
  7. Richard Fox & Lauren Yason (The Jupiter Conjunction)
    Barry Piggott (Protect and Survive)
    Barry Piggott (Gods and Monsters)
Main Range Music & Sound Design
  1. Howard Carter (The Emerald Tiger) (23)
  2. Wilfredo Acosta (Protect and Survive) (5)
    Wilfredo Acosta (Black and White)
  3. Martin Montague & Toby Hrycek-Robinson (The Burning Prince
    Jamie Robertson (1001 Nights)
  4. Wilfredo Acosta (The Curse of Davros) (2)
    Jamie Robertson (The Fourth Wall)
    Richard Fox & Lauren Yason (The Jupiter Conjunction)
  5. Howard Carter (Gods and Monsters) (1)
  6. Fool Circle Productions (The Butcher of Brisbane) (0)
    Toby Hrycek-Robinson (The Acheron Pulse)
    Wilfredo Acosta (The Shadow Heart)
BEST SERIES
  1. Fifth (The Emerlad Tiger/The Jupiter Conjunction/The Butcher of Brisbane) (33)
  2. Seventh (Protect and Survive/Black and White/Gods and Monsters) (32)
  3. Sixth (The Curse of Davros/The Fourth Wall/Wirrn Isle) (4)
  4. Multi-Doctor (The Burning Prince/The Acheron Pulse/The Shadow Heart) (3)
In the next Tomfile, the results from the Companion Chronicles & Lost Stories will be announced.