#17 - The 6th Toms Tardis Award Results - Part 1

The 6th Toms Tardis Awards have come to a close. After 32 days of voting, there were just over 1,700 votes cast in 34 categories. In the first of three Tomfiles,

Best Doctor

1. Peter Davison (20)
2. Colin Baker (19)
3. Paul McGann (17)
4. Sylvester McCoy (14)
5. Tom Baker (12)

Best Companion

1. Sarah Sutton (25) Second time she has won this award (first back in 2007)
2. Philip Olivier (19)
3. Lisa Greenwood (13)
4. Janet Fielding (11)
5. Sophie Aldred (8)
6. Mark Strickson (1)

Best Main Range Story

1. The Emerald Tiger (33)
2. Protect and Survive (11)
3. The Curse of Davros/The Burning Prince (6)
4. The Butcher of Brisbane/Gods and Monsters (5)
5. The Fourth Wall (4)
6. Wirrn Isle/Black and White (2)
7. The Jupiter Conjunction/The Shadow Heart/1001 Nights (1)
8. The Acheron Pulse (0)

Best Main Range Writer

1. Barnaby Edwards (The Emerald Tiger) (29)
2. Jonathan Morris (Protect and Survive) (12)
3. John Dorney (The Fourth Wall) (9)
4. John Dorney (The Burning Prince) (7)
5. Jonathan Morris (The Curse of Davros) (6)
   Marc Platt (The Butcher of Brisbane)
6. Matt Fitton (Black and White) (5)
7. Alan Barnes & Mike Maddox (Gods and Monsters (3)
8. Eddie Robson (The Jupiter Conjunction) (1)
9. William Gallagher (Wirrn Isle) (0)
   Rick Briggs (The Acheron Pulse)
   Jonathan Morris (The Shadow Heart)

Best Main Range Director

1. Barnaby Edwards (The Emerald Tiger) (29)
2. Ken Bentley (Protect and Survive) (10)
3. Ken Bentley (The Butcher of Brisbane) (7)
   Ken Bentley (Gods and Monsters)
   Ken Bentley (The Burning Prince)
4. Nicholas Briggs (The Curse of Davros) (5)
5. Barnaby Edwards (1001 Nights) (3)
6. Nicholas Briggs (Wirrn Isle)
   Ken Bentley (Black and White) (2)
7. Nicholas Briggs (The Fourth Wall) (1)
   Ken Bentley (The Jupiter Conjunction (1)
8. Ken Bentley (The Acheron Pulse) (0)
   Ken Bentley (The Shadow Heart) (0)

Best Main Range Cover Art

1. Alex Mallinson (1001 Nights) (20)
2. Alex Mallinson (The Burning Prince) (17)
3. Amazing 15 (The Emerald Tiger) (6)
4. Simon Holub (Wirrn Isle) (4)
5. Amazing 15 (The Butcher of Brisbane) (2)
   Alex Mallinson (The Acheron Pulse)
6. Jamie Robertson (The Fourth Wall) (1)
   Barry Piggott (Black and White)
   Alex Mallinson (The Shadow Heart)
7. Richard Fox & Lauren Yason (The Jupiter Conjunction)
   Barry Piggott (Protect and Survive)
   Barry Piggott (Gods and Monsters)

Main Range Music & Sound Design

1. Howard Carter (The Emerald Tiger) (23)
2. Wilfredo Acosta (Protect and Survive) (5)
   Wilfredo Acosta (Black and White)
3. Martin Montague & Toby Hrycek-Robinson (The Burning Prince
   Jamie Robertson (1001 Nights)
4. Wilfredo Acosta (The Curse of Davros) (2)
   Jamie Robertson (The Fourth Wall)
   Richard Fox & Lauren Yason (The Jupiter Conjunction)
5. Howard Carter (Gods and Monsters) (1)
6. Fool Circle Productions (The Butcher of Brisbane) (0)
   Toby Hrycek-Robinson (The Acheron Pulse)
   Wilfredo Acosta (The Shadow Heart)

BEST SERIES

1. Fifth (The Emerlad Tiger/The Jupiter Conjunction/The Butcher of Brisbane) (33)
2. Seventh (Protect and Survive/Black and White/Gods and Monsters) (32)
3. Sixth (The Curse of Davros/The Fourth Wall/Wirrn Isle) (4)
4. Multi-Doctor (The Burning Prince/The Acheron Pulse/The Shadow Heart) (3)

In the next Tomfile, the results from the Companion Chronicles & Lost Stories will be announced.

#16 - Big Finish Review of 2012

Has 2012 been a good year for Big Finish? This is a question I ask myself every year and this year has been a resounding YES. There are many reasons why this is the case, not only did we have Tom Baker finally make his debut for the range but there were plenty of stories that had potential to do well. Not only did we have the Fourth Doctor adventures but Counter Measures debut this year and the Sixth Doctor joined Jago and Litefoot in their series before getting some special adventures in the TARDIS. Now I usually do series but series review but this year I have decided to change things by doing my top ten of the year, these are all the ranges that Big Finish do so lets start right at number ten.

10 – WIRRN ISLE
Reviewed Sunday March 25

Wirrn Isle is the first of two stories from the opening series that feature in the top 10. It was the second story to feature the Wirrn. I liked how it had a classic Doctor Who feel to it and had it been any other year then it would have probably been story of the year contender material however due to the previous two stories in the series then it doesn’t rank as highly. This was William Gallagher’s first full story after contributing a story to Demons of Red Lodge and Other stories in 2010 and it was a nice ‘sequel’ to The Ark in Space where the descendants of the Beacon now live. For me there was one supporting character that really stood out for me and that was Toasty (Tessa Nicholson) that I thought stole the show at times. At number 10 it shows how good the rest of the stories are in this chart.

09 – DESTINATION: NERVA
Reviewed on January 15

This was an important release for Big Finish. Possibly the most important since Big Finish started. Tom Baker finally makes his debut in his own series. I don’t know what the sales were/are for this but I imagine its high. It was clear that Big Finish weren’t going to sit on their laurels because this story the first in the series was written and directed by Nicholas Briggs which is a clear indication of how high expectations were for this series. This opening story was exactly what was needed, it wasn’t too complicated and wasn’t brainless stuff. Tom Baker and Louise Jameson were on fine form and it was comforting to know that things were going to be ok.

08 – THE FIRST SONTARAN
Reviewed on July 31

As I write this the votes are still being counted  so I don’t know whether it will win Best Lost Story but it is certainly my favourite Lost Story because it was a Sontaran story and also a Rutan story. This is the most back story that the Sontarans have ever had and there are some wonderful scenes that help make this a clear winner out of all the Lost Stories. I mentioned in my review that I had high expectations and they were met, this is the strongest Sontaran story that Big Finish have done and it shows that there is still some mileage in the Lost Stories series even though this was a rare feeling.

07 – THE EMERALD TIGER
Reviewed on Thursday April 26

This was the first story of the year that I genuinely thought would be my story of 2012. It was a story that was a historical story (of sorts). One thing that I liked in this story was the casting of Cherie Lunghi. In my review I commented that “I thought that Cherie Lunghi was very good because she started off as this quite stuck up and unlikeable character but as the plot moves on she becomes someone who has suffered tragedy and we understand why she is as she comes across.”. The Tegan/Nyssa/Turlough series have been one of the highlights of recent years and it was nice how it continued this year.

06 – THE CURSE OF DAVROS
Reviewed on Sunday February 5

The Curse of Davros was my story of the month for January and it saw the return of Davros to Big Finish. It also saw the introduction of Flip to the series as a companion. It wasn’t your usual Davros story as it saw the Doctor and Davros swap bodies. I thought it was the most refreshing use of the Davros character since Terror Firma. In my review I described this story as “The Curse of Davros is a very good start to 2012. Jonathan Morris has written another story that doesn’t get bogged down in science fiction complexities but just goes from A to B in the most entertaining manner. At no point did it become boring or slow or anything that required to stop and think. It has a strong plot and also has the Daleks and Davros to help add superb icing to a very nice cake.” On reflection it shouldn’t have been surprising that this was going to be a good year, it should have been a clear indication that the quality was going to be high.

05 – THE WRATH OF THE ICENI
Reviewed on March 19

The Wrath of the Iceni is the best story of this series of Fourth Doctor Adventures and it was my story of the month for March. The whole series was one bit learning curve for Leela and this was the peak of that series. She got to meet her human equivalent. In my review I said “I really loved this story and found it to be thoroughly compelling from start to finish. I was worried that it was going to get bogged down in something dull but to be fair there is a sound reason for the story being in its setting and a strong plot which makes me wish that this were a slightly bit longer because I thought that there was enough to pad this out to be a four parter. John Dorney has written another solid story and its a return to form after a mixed previous story.”

04 – THE BURNING PRINCE
Reviewed on October 11

The Burning Prince was the first in the Multi-Doctor series and it was by far the best story of the trilogy. It was also my story of the month for September and  I was impressed with just how the worked. In my original review I said “The story has a fairly linear plot and there aren’t really any surprises in this but to be honest I don’t mind that because the story is so action packed and the characters are so well written that its almost a relief that the story isn’t complicated.”. I also commented that “Peter Davison gives one of his strongest performances in quite sometime”.  I think that the best kind of stories are ones that come out of left field and you just don’t expect that they will be as good as they are.

JOINT 2ND – UNIT: DOMINION & THE LAST POST
Reviewed October 25 & November 10 respectively

I tried for a long time to try and pick one over the other with these two but I just couldn’t, I couldn’t even separate them for the Story of the Month award. UNIT: Dominion was the first of the special releases which I maintain is the best of the specials. It was a joy from start to finish and it saw the return of Raine and most importantly Klein who last appeared in the 2010 story Architects of History. Alex McQueen is the big name and plays a very important person in this story which was worth every single penny that I paid.

The other story was the last story to feature Caroline John as she died shortly after this was recorded and it was always going to be a difficult story to listen to but instead of feeling sad whilst listening to it I was gripped from start to finish and found it the best Companion Chronicle story of the year. I have felt that the Liz Shaw stories have been a bit hit and miss so it was a relief that this was her best story. It was a lovely way to end Caroline John’s time with Big Finish.

1ST PROTECT AND SURVIVE
Reviewed on August 11

So we have reached what I consider the best story of the year from Big Finish and it was a story that came out of the blue. Protect and Survive was my story of the month for July and Big Finish hasn’t done a really dark story since Nicholas Briggs took charge of Big Finish in 2007. So it was quite good when this story seem to hark back to the early days of Big Finish. I thought that from start to finish it was a wonderful adventure with a very limited number of characters and more importantly superb performances from Philip Olivier and Sophie Aldred. At times it was harrowing to listen to and that’s what is so good about this story which takes its name from a 1970’s Government leaflet about what to do in the event of a nuclear bomb going off.  I know that for many The Emerald Tiger is the best story of the year but for me this was better because it was bolder and more dark than Barnaby Edward’s story. Protect and Survive was my favourite Big Finish story of 2012 and my favourite for quite sometime.

It has been a truly superb year for Big Finish. There was a lot that could have gone wrong with the introduction of Tom Baker to the Doctor Who world and the special releases that Big Finish introduced in late 2012 could have also been a disappointment but that didn’t happen. 2013 looks like its going to be another great year because Bonnie Langford is to make her first Big  Finish  appearance since 2007 and Gallifrey returns for its penultimate series so in twelve months time I should have another tough job in trying to pick a top 10.

The Tomfiles: #15 - Big Finish Review of 2011

It’s that time of year again when I look back at the previous year of releases. Big Finish has continued to produce a high number of stories ranging several different spin-offs. We saw companions return and depart in some of the finest releases that Big Finish have produced. The year started of traditionally with January.

JANUARY – MARCH: THE THOMAS BREWSTER SERIES
Thomas Brewster finally returned in ‘The Crimes of Thomas Brewster’. It also marked the return of Maggie Stables after about two years out of the main range. The Crimes of Thomas Brewster wasn’t as good a starter story to the year as ‘A Thousand Tiny Wing’s. When we got to Feast of Axos, I found the series picked up as the Axos were a under appreciated story. The final story was ‘Industrial Evolution’ which I think was a disappointing end to the series. Ok it wasn’t a terrible story as it was written by Eddie Robson but I think that the whole series could be summed up as OK.

APRIL – JUNE: RICHTER 2
Due to the success of the previous Nyssa/Tegan/Turlough series in 2010. It was obvious and appreciated that they returned for a second series and actually I think that it was better. Heroes of Sontar marked the first appearance of the Sontarans in a Big Finish play and it was a brilliant adventure. This was beaten by Kiss of Death which I think is the best story of the year as it was about Turlough and was a wonderful story. The final story was the ‘weakest’ story of the series but only because the other two were so good. I still enjoyed ‘Rat Trap’ and would listen to it again if I got the chance.

JULY – SEPTEMBER: SEVENTH DOCTOR & ANNIVERSARY SPECIAL
This series of adventures featured the Seventh Doctor travelling alone. For the first time since 2008, the Doctor who likes to roll his R’s had to save the universe on his own. The first story ‘ Robophobia’ saw the return of the Robots from ‘The Robots of Death’ and whilst I questioned the decision to bring them back I rather enjoyed the story. The series took a brief break as the main range celebrated it’s 150th release with Recorded Time and Other Stories which were four single stories. I rather enjoyed this release but then it went back to the series and two fantastic stories in succession. I really enjoyed this story and House of Blue Fire and along with Kiss of Death formed three of my favourite stories of the year.

OCTOBER – NOVEMBER: THE MARY SHELLEY TRILOGY
With Lucie Miller having left in March’s ‘To The Death’ it meant that the Eighth Doctor was free to appear in the main range for the first time since 2009’s ‘Company of Friends’. In fact its one character who appeared in that story that was chosen to replace Lucie and it was a bold idea to use a famous person from history. The relationship wasn’t the same as any that we had known since McGann joined Big Finish in 2001. I wasn’t quite sure what to expect and by The Army of Death I had actually grown to like the companion as she had been played very well by Julie Cox.

The Silver Turk was the best story of the series and it was voted Best Main Range story in this years Toms Tardis Awards and its not hard to see why. I think that it was a different take on the Cybermen and uses the original design which I love. The next story The Witch from the Well is a perfectly standard story and Army of Death is actually the best story for Mary Shelley.

01) Kiss of Death (8.50)
02) House of Blue Fire (8.44)
03) The Doomsday Quatrain (8.38)
04) Heroes of Sontar (8.25)
05) Army of Death (7.99)
06) Recorded Time and Other Stories (7.88)
07) The Silver Turk (7.50)
08) The Feast of Axos (7.50)
09) Robophobia (7.50)
10) The Witch from the Well (7.50)
11) Rat Trap (7.25)
12) The Crimes of Thomas Brewster (7.13)
13) Industrial Evolution (7.00)

Average – 7.76


THE COMPANION CHRONICLES
The Companion Chronicles continued to be strong. It started off with a cracking CC in the form of Peri and the Piscon Paradox. It was a mad story which with any other writer would have been a terrible story but Nev Fountain found the right balance. 2011 saw a trilogy of adventures where we were introduced to Oliver Harper. He had a secret which turned out to be that he was a gay man in the 1960’s. Not the biggest secret but anyway but the end of the trilogy ‘The First Wave’ had a wonderful ending and was only beaten by the first story in the series ‘The Perpetual Bond’.

There were some stories which didn’t quite hit the mark. ‘The Sentinels of the New Dawn’ was the weakest story which was compounded by the fact that it was a Liz Shaw story. Another duff story was ‘The Forbidden Time’ which I just didn’t like at all.

This series shows no sign of getting tired and with the slight tweaks to the format, its nice to think where the series could go.

01) Peri and the Piscon Paradox (8.25)
02) The First Wave (8.20)
03) The Perpetual Bond (8.00)
04) The Many Deaths of Jo Grant (8.00)
05) Tales from the Vault (7.88)
06) Beyond the Ultimate Adventure (7.80)
07) The Memory Cheats (7.63)
08) Ferril’s Folly (7.50)
09) The Cold Equations (7.25)
10) The Rocket Men (7.00)
11) The Forbidden Time (6.75)
12) The Sentinels of the New Dawn (6.50)

THE LOST STORIES
The term Lost Stories was stretched somewhat in 2011 because we had the Seventh Doctor series which introduced the character of Raine to the show. I quite liked the character of Raine as she was well played by Beth Chalmers. The combination of Raine and Ace is a nice one and hopefully it will result in a main range adventure. We also had fifth Doctor series of adventures where it was just Nyssa and Tegan. It’s been a good year overall with 2012 looking to be another great year.

TOP 5 LOST STORIES
The Elite (8.38)
Thin Ice (8.31)
Crime of the Century (8.19)
Animal (7.69)
Earth Aid (7.56)

GALLIFREY
Gallifrey returned for the first time since 2006. I had listened to the previous three series in preparation to this series and I must admit that whilst this series was slightly more easy to understand than the other three it was still enjoyable. Some didn’t seem to enjoy it but I did and thought that the idea that the regular characters were looking for a new home was quite a good story arc. Hopefully it wont be another five years before we get Gallifrey V.

JAGO AND LITE FOOT – SERIES II & III
Jago and Litefoot returned for not one but two series of adventures and they got better with each series. Series 3 was my favourite of the two because Louise Jameson returned as Leela and it gave the series a freshness that some may feel it didn’t need but to me it made it seem like it was from the 1970’s.

Both series did have something in common and that was the best story was the first. Both Litefoot and Sanders and Dead Men’s Tales were the best stories of the series. It’s quite amazing that two characters that appeared once in the TV series back in the 70’s have managed to spawn so many stories with more coming in 2012 and hopefully beyond.

The overall feeling about this year is that its been a solid year. I don’t think the Doctor/Companion line up has been as solid as in previous years. I don’t think that it was necessary to have Thomas Brewster return and Mary Shelley was another curious if slightly better realised decision. 2012 is going to be a big year for Big Finish with the arrival of the fourth incarnation. I hope that when I do my review of 2012 that I will be saying it will be the best yet.

#14 - Missing Persumed Wiped....Not for Two of Them

Sunday 11 December is an important date for Doctor Who fans as it was confirmed that two episodes of Classic Doctor Who that were presumed wiped had been found. Episode Three of Galaxy 4 and Episode Two of The Underwater Menace have been found which reduces the amount of episodes lost to 106. Being on twitter there seemed to be a tension to find out what the news was, I was initially excited by the news but then thought that it wouldn’t b e anything major. I had hoped it would be the missing episodes of ‘The Daleks Master Plan’ but in reality thought it would be that the Christmas Special of Doctor Who Confidential would air.

However just after 5pm, the news seemed to leak out from some of the people I am following that they had found these two episodes. I must admit that my initial reaction was that of perplexment. I knew it would be missing episodes found but wish it had been for a story that was missing one episodes. It was fun being on twitter after the news had broke because some had felt excited about this news, thinking it was the best news for a long time and an early Christmas present and then some thought it was a little bit of an anti-climax. I think after thinking about it, I am in the middle. Possibly because I had mentally prepared myself and being a pessimist.

The first episode found was episode three of Galaxy 4 which was when they named individual episodes and this one was called ‘Airlock’. It originally aired on the BBC on Saturday 25th September 1965 and was watched by 11.5 million people, it was written by William Emms and directed by Derek Martinus. Before today all four episodes were missing and only the audio recording existed. I think there is a very brief clip that exists which sees the Doctor, Steven and Vicki on the Dravhins ship so its good to see a bit more of this story. The next episode was Episode 2 of The Underwater Menace which was aired on Saturday 21st January 1967. It was watched by 7.5 million people, written by Geoffrey Orme and directed by Julia Smith. Now that this episode has been found only the first and last episode are missing. This is a story that would benefit from being seen in its entirety as opposed to just on audio with 25 minutes.

Been a fan of Doctor Who its one of the biggest bug bears and fans who haven’t seen anything pre-Eccleston will be wondering what the fuss is about but for completists like me its quite significant news. Over the last twenty years we have been treated to dribs and drabs of episodes. The first big release of missing episodes was ‘The Tomb of the Cybermen’ which was found in Hong Kong of all places. It’s a story that I was first introduced to via cassette tape (remember those days) and when I finally watched it on VHS some time later I was mesmorised. It’s only in later years that I have put it into context and whilst I think it’s a good story it has lost some of its shine since the early 1990’s. The most recent discover was in 2004 when an episode of the ‘The Daleks Master Plan – Day of Armageddon’ was found. It was great to see another episode from this epic as there were only two episodes to watch and ‘Day of Armageddon’ was from early on in the serial. It was an interesting episode and hopefully one day it will be found in its entirety.

I’m not a massive fan of these two stories but will appreciate that they have been found and hope that it wont be another seven years before we get more episodes. Hopefully we will live in a world where not one episode of Doctor Who is missing.

A guy can dream cant he!

The Tomfiles: #13 - 150 Not Out

Big Finish reached a milestone when they released their 150th Main Range release ‘Recorded Time and Other Stories’. In the 12 years since they were licensed to produce Doctor Who stories. Over the 150 releases the stories have varied quite a lot. Colin Baker, Peter Davison and Sylvester McCoy were there at the very beginning and Paul McGann joined in 2001. We have also been reintroduced to classic companions with only Matthew Waterhouse not coming back as Adric (though have we really missed him?). But we have also been introduced to new companions and that is what has made these adventures more than just Doctor Who on audio. These are new companions that we have seen from the start. I only started watching Doctor Who properly in 1993 so until the show returned in 2005, the Big Finish companions were the only ‘new’ characters that I have seen in their debut stories.

The format of these stories has changed over the years. From 1999 to 2007, the stories would be released in random order with a Fifth Doctor story being released one month and then a Seventh Doctor story being released the next month. Then after Nicholas Briggs took over as the executive producer of the main range we started to get ‘three + one’ releases. They didn’t really work because very often the three episodes would be great as they cut out all the padding that accompanies a normal four part adventure but very often the single part story would let the whole release down. It has taken me a while for BF to get a handle on these single episodes. But it was in 2008 when the format of the main range releases would change. Due to a story arc involving the Fifth Doctor, Nyssa and Thomas Brewster, it was decided that starting in 2009 there would series of stories that would be released one after another. So there would be three series of three adventures with a single release. With the Eighth Doctor having adventures in his own series, it would be Doctors 5,6 & 7 that would get their own series of adventures.

During these 150 stories we have seen some classic monsters return via BF. These include the Daleks, Cybermen and the Master which were obvious ones but it some of the lesser popular monsters that have returned. They included The Axons (Feast of Axos – 2011), Omega (Omega – 2003), Ice Warriors (Red Dawn – 2003 and Frozen Time – 2008), Rutan (Castle of Fear – 2009) and The Mara (Cradle of the Snake – 2010). It’s always a curious decision to bring back monsters that only appeared once or maybe twice in the classic era but usually its with good intentions and whilst I may not have been wholly positive about a story (Robophobia) I am always open to them bringing back monsters that only made a single appearance as long as it is justified.

The big names that have appeared in these 150 stories over the years has also been impressive. Names such as David Walliams (Little Britain and swimming the Thames), Mark Gatiss (League of Gentleman), Joe Thomas (Inbetweeners), Anna Masey (Peeping Tom) to name but a few. It’s always surprising to see the sort of people that will appear in audio Who as opposed to TV Who. To appear on TV Doctor Who I could understand because of the exposure it would give them but I think that the fact their in a Doctor Who is more of a personal thing than a professional thing.

The stories that have been done over the last 11 years have used a large number of writers. Some had written for the TV series and some would go onto write for the new series. In fact the 2002 story Spare Parts was inspiration for the 2006 David Tennant stories ‘Rise of the Cybermen/The Age of Steel’ and in 2005 Robert Shearman adapted his 2003 adventure ‘Jubilee’ to become ‘Dalek. Due to the contract that BF has with the BBC it means that BF can’t use a monster or villain or even story if it mirrors one that is being used on TV. That’s why in the 2009 Lost Story ‘The Hollows of Time’ the Master wasn’t used as he was appearing on TV. It seems that this only really becomes a problem when they want to use a classic villain/monster, otherwise they are free to do whatever they want and the only restriction is really on what they want to do. There have been tendencies when the story has been complicated. The most obvious example of this was in the 2008 adventure ‘Brotherhood of the Daleks’ which is quite possibly the most complicated story that BF have done. Even Colin Baker wasn’t fully aware of what was going on. Most of the time it’s just me that doesn’t understand what’s going on but on some rare occasions like BOTD, it’s a group thing.

I decided to do a massive poll to decide what was the most popular Big Finish story in the main range. I suspected that ‘The Chimes of Midnight’ would have a good chance because it won the Toms Tardis ‘Story of the Decade’ award in 2009. If you didn’t vote then the way then let me explain how it worked. Basically I opened the poll so that you could select your 10 favourite stories. Not just one because I know how difficult that can be but 10.

Here is what I voted for in this poll.

1 – Live 34 (2005) 9 – The Chimes of Midnight (2002)
2 – Project: Twilight (2001) 10 – Medicinal Purposes (2004)
3 – Project: Lazarus (2003)
4 – Son of the Dragon (2007)
5 – Nocturne (2007)
6 – Enemy of the Daleks (2009)
7 – The Reaping (2006)
8 – The Nowhere Place (2006)

After all the votes had been counted the (not surprising) winner was the 2002 adventure ‘The Chimes of Midnight’. It got 51 votes, second was another 2002 adventure ‘Spare Parts’ which got 43 and quite surprisingly ‘The One Doctor’ from 2001 was the third most popular story with 38 votes. Now it is an enjoyable story but I don’t think that its one of the top 3 stories ever.

Winners of the Best Story category in the Toms Tardis Stories did as follows;

1999 – Phantasmagoria #42 with 5 votes
2000 – The Marian Conspiracy #8 with 29 votes
2001 – Project: Twilight #22 with 10 votes
2002 – The Chimes of Midnight #1 with 51 votes
2003 – Doctor Who and the Pirates #7 with 30 votes
2004 – The Harvest #27 with 8 votes
2005 – The Juggernauts #49 with 4 votes
2006 – Pier Pressure #84 with 2 votes
2007 – Son of the Dragon #22 with 10 votes
2008 – The Haunting of Thomas Brewster #36 with 6 votes
2009 – The Magic Mousetrap #36 with 6 votes
2010 – The Wreck of the Titan #6 with 32 votes

Out of 150 stories, there were only 16 stories that didn’t get a single vote. They were Minuet in Hell (2001), The Rapture (2002), The Sandman (2002), Nekromanteia (2003), The Creed of the Kromon (2004), The Roof of the World (2004), The Last (2004), The Game (2005), Three’s A Crowd (2005), Red (2006), Valhalla (2007), The Wishing Beast/The Vanity Box (2007), The Dark Husband (2008), The Chaos Pool (2009), Lurkers at Sunlight’s Edge (2010), Recorded Time and Other Stories (2011).

Some of these I kind of understand, I’m not wild about Minuet in Hell, Red, Valhalla or Nekromanteia but then there are some that I think should have at least got a vote such as The Game which has William Russell in it. I also thought that Recorded Time and Other Stories and Lurkers at Sunlight’s Edge should have received a vote. How something like …ish (111th with 1 vote) or Renaissance of the Daleks (60th with 3 votes) managed to score higher I will never know.

Big Finish have achieved a lot in 150 stories, they have used new and old monsters in these stories and also bought some popular combinations back. 2012 looks like being another good year with Tom Baker joining the Big Finish family but when/if we do a poll for the Best 200 stories I suspect that ‘The Chimes of Midnight’ will win. Congratulations to Big Finish, you were there when Doctor Who was on TV and you show that you can produce stories just as good as the ones on TV with a fraction of their budget.

To use a cricket term to describe my feelings about Big Finish -150 not out

The Tomfiles: #12 - Death of Doctor Who Confidential (2005-2011)

The news that Doctor Who Confidential has been axed has come as a great shock and sadness to a great deal of people. It has even prompted a campaign to get set up on twitter to try and bring the show back. This is due to the fact that the BBC has had its licence fee frozen by the Government until 2016. As a result this means that the BBC has to cut its budget by 16% as well as having to take control of the World Service and some of the costs of the Welsh language channel S4C. Over the last few months, the BBC has around 2,000 job losses as well as loss of sports coverage including Formula One.

The show was created in 2005 purely as a way that new fans to the show could understand its history and why the Doctor is the way he is and why the TARDIS is bigger on the inside than on the outside. It last around 45 minutes and in recent years has focused on interviewing the cast and looking at some of the people that make the sets and other stuff. Ok this is mildly interesting but after about 25 minutes I have found myself getting restless and wanting to change channels. In the most recent series, I have not even watched them because I have found them to be very poor in entertainment.

BBC Three has had its budget cut by 10% or £8.5 million pounds. According to the BBC website it’s “to nurture and develop shows for BBC One with some reduction in drama, music and entertainment”. Now this means that we are supposedly getting more original programming which will be worthy of the licence fee but considering this is the channel that gives us ‘Lee Nelson’s Well Good Show’, ‘Snog Marry Avoid’ and ‘Don’t Tell the Bride’ I’m not holding out much hope. However despite these shockingly bad shows they do show ‘Family Guy’, ‘American Dad’ and ‘Russell Howard’s Good News’ so if they do more of these shows as opposed to bridal vanity shows then that will be ok.

No other drama gets a behind the scenes show apart from Eastenders which occasionally and I mean occasionally gives us a one hour show. So why is Doctor Who so special? Most shows that are released on DVD get a behind the scenes disc and even when they release Doctor Who on DVD they present the cut down version of Confidential. Ultimately the main reason why DWC was axed was because it was probably too expensive. When you think about how much time is spent interviewing people, recording what’s going on and more then it must stack up to a whole lot. Considering what the ratings are for this show it’s a very poor return rate.

As long as Doctor Who is on the air, should we really be bothered that DWC has been axed. No, Doctor Who was and still is the main priority and the fact we are all getting so het up about it is frankly baffling. If the show were to come back in some shorter format then that would be fine but I won’t miss DWC. Let’s not forget that people are losing their jobs and some of them may find other jobs but some won’t and if you compare some job losses to the cancellation of a mildly interesting show then you should see which the inferior problem is. Doctor Who Confidential has been a supporting show to the main show but lets get our priorities right. DW is the show we should be enjoying and when they decide to cut that then we should get angry until then, let’s pause for a moment and wave goodbye to DWC.

The Tomfiles: #11 - Doctor Who Abroad

Doctor Who is a thoroughly British affair. Over the course of 32 series, the show has filmed all over the UK where in recent years the show has been filmed in Cardiff. However sometimes the show decided to get on a plane and film as Matt Smith said ‘Somewhere new’. Remarkably in the first 26 years, the show only ventured on foreign soil three time and that was over the space of six years. Recently the Eleventh Doctor, Amy and Rory have been having adventures in the good old US of A but is filming abroad a good idea or does it ruin the flow of a story or even a season?

The first time that Doctor Who was filmed abroad was in the 1979 adventure ‘City of Death’ where the Fourth Doctor and Romana travelled to Paris in France for four episodes. The story itself is a very good story despite it coming from the Douglas Adams era where comedy was a big part of the show. There are large chunks of location filming to help establish the show’s setting, however it is essentially just the Doctor and Romana running around Parisian landmarks but its filmed beautifully.

Arc of Infinity was the second adventure to travel abroad but the show still stays in Europe by filming in Amsterdam. Like City of Death, the story features a lot of running around but there are still the familiar sights. To be fair to AOI, there is a bit more to the filming that running around. There is some standing about and sitting in a café but more importantly the big finale scene is on location with the Doctor, Tegan and Nyssa catching up with Omega and shooting him. In terms of purpose to the story, the scenes in AOI are far better than COD.

Two years later The Two Doctors would be filmed in Seville Spain for reasons no-one can work out. It doesn’t offer anything to the story and you could have filmed it anywhere in the UK. There are some beautiful shots of Seville which makes it look a beautiful place. However ultimately the purpose of the location is dubious at best as a result it’s not entirely satisfactory.

It was rumoured that Doctor Who would have gone to Asia in the abandoned 1986 season which would have seen the Autons running amok in Thailand or somewhere near. Who knows whether this would have been a good idea or not but we’ll never know.

It would be eleven years before Doctor Who would film abroad and this time it would be different because it would be in the TV Movie where the story was filmed in Canada doubling for San Francisco. It feels more like a US drama than a British one which makes it stand out in the history of Doctor Who. There are some lovely scenes but as most of it is filmed at night unfortunately I don’t think it shows off the city as well as it could have done. Had the ‘pilot’ turned into a series then there would undoubtably have been more location filming and chances to see more of the scenery.

During the early years of Doctor Who’s return featured filming switching between Cardiff (and surrounding areas) and London and during the Tennant era there was only one time where it was based outside of the UK and that occurred in Fires of Pompeii where the show went to actually went to the same studio in Italy where the HBO/BBC drama Rome was filmed. This was a fantastic idea and one of the reasons why the story is so good is because of the location stuff. It would have been silly to try and replicate those scenes in the UK because it wouldn’t have been as good. It’s one of the best uses of foreign filming so far. The Eleventh Doctor would be the Fifth actor to film abroad with two episodes being filmed in Croatia. The first episode was Vampires in Venice where the filming is beautfil and does create a different impression to the series. Despite Vampires of Venice and Vincent and the Doctor being filmed in the same place it doesn’t show in the stories. It’s quite impressive how they manage to do this and the best thing is that I wasn’t thinking about whether it made sense but just being bowled over by the story and enjoying the filming.

The most recent excursion out of the UK saw the show go to the country with the biggest fan base outside of the UK. The show went to America and filmed in the Utah desert. Despite it being a desert the filming was very good and helped create the impact that the show needed to set the current series up. The reason for the story being set in America was plausible and so the location stuff needed to compliment it and it certainly did that in this story with some fantastic arial shots. Much better than what you would get here.

The issue of coincidence occurs whenever the show films abroad because some argue that its convenient that the aliens would invade/attack in a foreign country but then I take the approach that it’s no more convenient than aliens attacking/invading just the UK when there are bigger and more powerful countries that they could pick. I think that providing the reason for setting a story in a foreign country makes sense then it doesn’t make it any less plausible setting a story in South Africa or Finland or even Vanuatu than it would be setting it in the UK.

Filming abroad always gives a Doctor Who story an international feeling and with the show popular in all corners of the world it’s only right that occasionally the show ventures outwards to embrace that popularity and more importantly the cash. Recently Steven Moffat said in a newspaper article that £300,000 of the £1 million that it costs to make a Doctor Who episode comes from merchandise. I wonder how much of the remaininig £700,000 comes from international TV stations. Going beyond that the issue of filming abroad shouldn’t really exist and occasional excursions outside of the UK are a good thing and should be a regular thing.